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PREFACE.
I do not like Prefaces.
They remind me somewhat of awaiting dinner in a drawing-room after a long walk in wintry weather. It is one thing to get there an occasional whiff of viands cooking in the basement of the house, and quite another to feel the same accentuate your gnawings of hunger.
Therefore, did I touch on motives for writing this book, or sketch outlines of heads of matters to follow in detail, I should engage little or no attention, so shall simply refer you who may read this preface, which is only a fraud, to the matter embodied in the following pages, for which, at least, I claim Honesty.
WALTER H. MAYSON.
62, OXFORD STREET, C.-ON-M.,
MANCHESTER.
The great success of the previous edition, and the numerous letters sent in praise of "VIOLIN MAKING," prompts me (the author's son) to take the opportunity of saying a few words, and to thank the public for their appreciation of the work.
I have received many communications (several from abroad) from enthusiasts, bestowing the warmest praise on the writer as a Maker and an Author; and all are unanimous in declaring that the simple and explicit style of the work has enabled them to readily grasp the difficulties pertaining to the Violin as a work of Art. These correspondents (who are quite strangers to me) have also greatly commended the high class appearance of the volume, particularly the excellence of the fine illustrations. Such expressions of approval would have been gratifying to the late W. H. MAYSON, who, as the maker of over 800 instruments, had attained complete mastery over his work. Therefore the reader can have every confidence in faithfully following all his methods and strictly adhering to every detail set forth in this volume.
STANSFIELD MAYSON.
48, OXFORD ROAD, MANCHESTER,
June, 1909.
- Sales Rank: #1425629 in eBooks
- Published on: 2011-11-26
- Released on: 2011-11-26
- Format: Kindle eBook
Most helpful customer reviews
1 of 1 people found the following review helpful.
Please make it stop
By STOAK
This book was neither inspiring or instructional. The language and the sheer volume of it was too much to wade through in order to get to the instruction. One paragraph had only one sentence and that sentence covered the entire page of my kindle. The language was more suited to a turn of the century (1800/1900) British novel or a German philosophical treatise than a violin making book. Don't get me wrong, I have enjoyed many such books. It just does not seem fitting for a violin making book and the author did not seem particularly skilled at it. I failed to find anything to inspire further reading and read only three chapters before deleting the book. Read the section Amazon provides, unlike me. If you like it then it may be your kind of a book. For the price I figured I could get something out of it to justify its cost. I should have read the preview.
That said, I have only passing interest in making a violin. I like to dig into niches like violin making in order to inspire my other work. It was not worth it for me to read any further. If you are a budding violin maker then please ignore this review. You may find something worth reading further along. I only glanced at the rest of the book and again found little to inspire me to continue reading.
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