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Contents in this Book
BOOK I. The Shimerdas
BOOK II. The Hired Girls
BOOK III. Lena Lingard
BOOK IV. The Pioneer Woman's Story
BOOK V. Cuzak's Boys
INTRODUCTION
LAST summer I happened to be crossing the plains of Iowa in a season of intense heat, and it was my good fortune to have for a traveling companion James Quayle Burden—Jim Burden, as we still call him in the West. He and I are old friends—we grew up together in the same Nebraska town—and we had much to say to each other. While the train flashed through never-ending miles of ripe wheat, by country towns and bright-flowered pastures and oak groves wilting in the sun, we sat in the observation car, where the woodwork was hot to the touch and red dust lay deep over everything. The dust and heat, the burning wind, reminded us of many things. We were talking about what it is like to spend one's childhood in little towns like these, buried in wheat and corn, under stimulating extremes of climate: burning summers when the world lies green and billowy beneath a brilliant sky, when one is fairly stifled in vegetation, in the color and smell of strong weeds and heavy harvests; blustery winters with little snow, when the whole country is stripped bare and gray as sheet-iron. We agreed that no one who had not grown up in a little prairie town could know anything about it. It was a kind of freemasonry, we said.
Although Jim Burden and I both live in New York, and are old friends, I do not see much of him there. He is legal counsel for one of the great Western railways, and is sometimes away from his New York office for weeks together. That is one reason why we do not often meet. Another is that I do not like his wife.
When Jim was still an obscure young lawyer, struggling to make his way in New York, his career was suddenly advanced by a brilliant marriage. Genevieve Whitney was the only daughter of a distinguished man. Her marriage with young Burden was the subject of sharp comment at the time. It was said she had been brutally jilted by her cousin, Rutland Whitney, and that she married this unknown man from the West out of bravado. She was a restless, headstrong girl, even then, who liked to astonish her friends. Later, when I knew her, she was always doing something unexpected. She gave one of her town houses for a Suffrage headquarters, produced one of her own plays at the Princess Theater, was arrested for picketing during a garment-makers' strike, etc. I am never able to believe that she has much feeling for the causes to which she lends her name and her fleeting interest. She is handsome, energetic, executive, but to me she seems unimpressionable and temperamentally incapable of enthusiasm. Her husband's quiet tastes irritate her, I think, and she finds it worth while to play the patroness to a group of young poets and painters of advanced ideas and mediocre ability. She has her own fortune and lives her own life. For some reason, she wishes to remain Mrs. James Burden.
- Sales Rank: #679512 in eBooks
- Published on: 2011-11-27
- Released on: 2011-11-27
- Format: Kindle eBook
Amazon.com Review
It seems almost sacrilege to infringe upon a book as soulful and rich as Willa Cather's My Ántonia by offering comment. First published in 1918, and set in Nebraska in the late 19th century, this tale of the spirited daughter of a Bohemian immigrant family planning to farm on the untamed land ("not a country at all but the material out of which countries are made") comes to us through the romantic eyes of Jim Burden. He is, at the time of their meeting, newly orphaned and arriving at his grandparents' neighboring farm on the same night her family strikes out to make good in their new country. Jim chooses the opening words of his recollections deliberately: "I first heard of Ántonia on what seemed to be an interminable journey across the great midland plain of North America," and it seems almost certain that readers of Cather's masterpiece will just as easily pinpoint the first time they heard of Ántonia and her world. It seems equally certain that they, too, will remember that moment as one of great light in an otherwise unremarkable trip through the world.
Ántonia, who, even as a grown woman somewhat downtrodden by circumstance and hard work, "had not lost the fire of life," lies at the center of almost every human condition that Cather's novel effortlessly untangles. She represents immigrant struggles with a foreign land and tongue, the restraints on women of the time (with which Cather was very much concerned), the more general desires for love, family, and companionship, and the great capacity for forbearance that marked the earliest settlers on the frontier.
As if all this humanity weren't enough, Cather paints her descriptions of the vastness of nature--the high, red grass, the road that "ran about like a wild thing," the endless wind on the plains--with strokes so vivid as to make us feel in our bones that we've just come in from a walk on that very terrain ourselves. As the story progresses, Jim goes off to the University in Lincoln to study Latin (later moving on to Harvard and eventually staying put on the East Coast in another neat encompassing of a stage in America's development) and learns Virgil's phrase "Optima dies ... prima fugit" that Cather uses as the novel's epigraph. "The best days are the first to flee"--this could be said equally of childhood and the earliest hours of this country in which the open land, much like My Ántonia, was nothing short of a rhapsody in prairie sky blue. --Melanie Rehak
From School Library Journal
Grade 7 Up--In Jim Burden's accounting of his life with, and without, Antonia Shimerda, listeners are transported to the hardscrabble Nebraska prairie and the rural immigrant experience. When Jim first sees the Shimerda family, immigrants from Bohemia, disembarking from the same train that is taking him West to live with his grandparents, he has no idea the impact they will have on his life. Nostalgically, he remembers the good and bad times they had on their respective farms and creates his portrait of Antonia, an independent and tough survivor. The brief biography of author Willa Cather at the beginning of the CD explains how her life mirrors Antonia's life in many ways, helping listeners understand the context of the story. Patrick Lawlor's rich, fluid voice lends an air of sophistication to Burden, reinforcing the class structure inherent at the beginning of the 20th century. Lawlor's attempts to create voices for the characters often falls flat. Since the novel is Burden's reminiscence, it would have been better told in Burden's voice alone. Since My Antonia continues to be a staple in many English curriculums, this is a good audiobook for schools and public libraries to have available.--Lynn Evarts, Sauk Prairie High School, Prairie du Sac, WA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Library Journal
Cather's classic gets the red carpet treatment here. Along with the full text, the volume also includes historical essays and explanatary notes by scholar James Woodress along with 15 photographs and two maps.
Copyright 1995 Reed Business Information, Inc.
Most helpful customer reviews
186 of 198 people found the following review helpful.
Some memories are realities
By D. Cloyce Smith
When Willa Cather was writing "My Antonia," she visited her friend, the journalist and war correspondent Elizabeth Sergeant, grabbed an old apothecary jar filled with flowers, set it in the center of an antique table, and explained: "I want my new heroine to be like this--like a rare object in the middle of a table, which one may examine from all sides. . . . I want her to stand out--like this--like this--because she is the story."
This anecdote (recounted in James Woodress's biography of Cather) sums up almost exactly the technique that makes her novel both unique and unusual. Instead of writing the story from her heroine's point of view, or from the point of view of an omniscient narrator, Cather instead creates a bystander, the likeable and somewhat innocent Jim Burden, who has written down a series of memories where his and Antonia's lives intersect; "My Antonia" is a biography through the mask of autobiography. While this is Jim's story as much as it is Antonia's (she is barely mentioned at all in Book III), we are ultimately studying a much-loved thing of beauty from "all sides"--from the distance separating it and the observer.
Although "My Antonia" relates a number of exciting, sentimental, horrifying, and even scandalous incidents (none of which will be divulged here), Cather very deliberately chose to write a character novel rather than an action story. Many of the book's pivotal "events" happen offstage; we learn what has happened only when Jim hears about Antonia or runs into her at a gathering or stops by her home. Such a detached approach is a departure from that used by many of the American naturalists (e.g., Dreiser, Lewis) writing during this period, yet her book is surely a model of realism. As Jim writes when he notes his reluctance to visit Antonia when they are both grown, "Some memories are realities, and are better than anything that can ever happen to one again."
As with all of Cather's novels, the prairie town of Black Hawk (which, is of course, Cather's hometown of Red Cloud), is populated with a variety of hirelings and homesteaders, dreamers and pretenders, romantics and scoundrels. (Cather seldom sketched a character as downright wicked as the would-be rapist Wick Cutter.) But none of the townsfolk outshine either the affectionate, if platonic, rapport between Jim and Antonia or the unforgettable portrayal of Antonia herself.
97 of 103 people found the following review helpful.
A moving portrait of our nation's roots and the open plains
By Chad M. Brick
When I went to write the review of Cather's work, I was surprised to find that most of the reviews were written by high school students who were required to read the book. The strengths of "My Antonia", in my opinion, would not be obvious to most teenagers. Taken at face value, as a fictional story of the struggles of Bohemian immigrants to the mid-west, the story has merits which probably underlie its popularity among secondary teachers.
However, that is not what makes this book special. Simply put, both the characters and setting of this novel are beautiful. Cather clearly loved the land she was writing about, and her passion for the farm country of her youth flowed through her writings. Her narrator, Jim, reveals the life of the immigrant Antonia, his childhood friend. Though most of the book is about their childhood together, it is written from Jim's view as an adult. This is tremendously important, as Jim's observations are clearly bear a mark of maturity that would be out-of-place if the book were written from the point-of-view of a child. Perhaps this is what many teenagers miss. Few of them have experienced the profound bittersweet feelings adults have when looking back upon their youth. These emotions were entwined through the novel from beginning to end, forming a scaffold upon which the story was told. To miss them is to miss everything that makes this novel great, rather than just historical fiction.
83 of 91 people found the following review helpful.
Antonia, "who seemed to mean to us the country, the conditions, the whole adventure of our childhood."
By Jana L.Perskie
In 1882, when author Willa Cather was nine years-old, her family left their home in Back Creek Valley, Virginia, and moved to Nebraska, near the settler country in Red Cloud where they farmed a homestead. Ms. Cather, often thought of as a chronicler of the pioneer American West, frequently drew on her memories of prairie culture and her own personal experiences. She wrote about the themes closest to her heart. Of primary importance was the drama of the immigrant struggling to survive in a new world, epitomized here in "My Antonia." In this extraordinary novel, Miss Cather weaves together the story of Antonia Shimerda, an immigrant girl from Bohemia who represents the optimism, determination and pure grit that newcomers to America needed to make a successful life, and that of American-born Jim Burden, our narrator.
Burden, a successful and cultured East-coast lawyer, is returning to his childhood home in Blackhawk, Nebraska for a visit. On the long train ride, he reminisces with an unnamed friend about the place where they had both grown up and about the people they knew - especially their dear friend Antonia, "who seemed to mean to us the country, the conditions, the whole adventure of our childhood."
When young Jim Burden was orphaned at age ten, he left his native Virginia to live with his grandparents on their farm, just outside of Blackhawk. At almost the same time that Jim arrived, the Shimerda family settled on their land. Mrs. Shimerda had argued effectively for a move to America so that the children, especially Ambrosch, the eldest son, would have the chance to make a better life for themselves, with more possibilities of moving up in the social hierarchy and of acquiring wealth. The Bohemian newcomers were the Burden's closest neighbors. Fourteen year-old Antonia Shimerda, the eldest daughter became a close friend of Jim's. He was immediately drawn to her warmth and friendliness. When Antonia's father, a sensitive, refined man, discovered that Jim was educated he asked the boy to teach his daughter to speak English. "Te-e-ach, te-e-ach my Án-tonia!" he told/asked Mrs. Burden. Together the two young people worked the land and explored the glorious prairie. And Antonia began to learn English.
Unfortunately, Antonia's studies came to an end with her father's tragic suicide. The man missed his native land terribly and was not able to accept his family's extreme poverty or the demands of his wife and son. When he lost his only friends, he sunk into a deep depression from which he was not able to escape. After Mr. Shimerda's death, Antonia had to work even harder, performing the heaviest, most physically demanding chores, just to keep the farm from going under. She was not able to go to school with Jim, and began to slowly lose the refined ways she had learned from her dad.
The author describes Antonia's life as Jim perceives it, and from information he gathers from others about the long periods when he did not have contact with her. Their widely different positions in society dictated their life choices and their fortunes. And their lives, their personal histories, parallel the changes and the transformation of the Great Plains. When Antonia and Jim explored the Nebraskan wilderness, it was a wilderness as far as the eye could see. "There seemed to be nothing to see; no fences, no creeks or trees, no hills or fields. If there was a road, I could not make it out in the faint starlight. There was nothing but land: not a country at all, but the material out of which countries are made. No, there was nothing but land--slightly undulating..." And, "I had the feeling that the world was left behind, that we had got over the edge of it, and were outside man's jurisdiction. I had never before looked up at the sky when there was not a familiar mountain ridge against it. But this was the complete dome of heaven, all there was of it." When Jim makes his return trip by train, years later, everything had changed.
Willa Cather's prose is straightforward, the narrative is deceptively simple and crystal clear. Her characters are complex and the wonderful, richly textured descriptions of the landscape and life on the plains make reading the novel pure pleasure. The author also captures the interior landscape of her characters with great perception and sensitivity. This is a great work of fiction which depicts a people, and a place in time, which only remain on the pages of a book, preserved vividly by Willa Cather.
I prefer to purchase Enriched Classics fiction whenever available. I find they offer readers more affordable editions of great works of literature with supplementary critical text. "My Antonia" contains: a concise introduction by Editor Cynthia Brantley Johnson that gives readers important background information; a chronology of Willa Cather's life and work; a timeline of significant events that provides the book's historical context; an outline of key themes and plot points; detailed explanatory notes; critical analysis, including contemporary and modern perspectives of "My Antonia;" discussion questions ideal for book club conversations; a recommended related bibliography.
H.L. Mencken wrote, "No romantic novel ever written in America, by man or woman, is one half so beautiful as 'My Antonia.'"
JANA
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